This is one of the songs that Elise and I wrote last weekend when she first came in. I love all the songs on the album, but this one is super endearing. We're both very proud of it. It's one of the songs that's going on the album.
Sunday, January 31, 2010
Ahead of schedule
Good news! We're totally ahead of schedule. We knocked out "The Place Where All Lost Things Go" yesterday. The whole song's basically done.
Today, we tracked drums and bass, and we got all the songs done in about 6.5 hours, 9.5 hours if you include multiple breaks and setup. On the drums, we had the Mighty Mason Ingram, who has always been incredibly consistent and versatile. I've had him on many sessions, and he's always delivered. Mason recently got himself an amazing sounding Ludwig Black Beauty, and I was very happy he brought it to the session.

On the bass, we had Ben Mars, who was born to play bass. His fingers are literally 1 1/2" longer than mine. In addition to having mad chops, he also happens to have THE BASS RIG. This morning, he brought in a 1963 Ampeg B-15 and a vintage p-bass also from the 60s. I did a mental jawdrop in my head when I saw it. It's basically the combo that all the Motown bass players use, and boy it did it sound good.


Anyways, I'm very proud of the work the guys did today. I'll be tracking Elise and Christer for the rest of the week. Stay tuned for more blog posts about the studio.
Today, we tracked drums and bass, and we got all the songs done in about 6.5 hours, 9.5 hours if you include multiple breaks and setup. On the drums, we had the Mighty Mason Ingram, who has always been incredibly consistent and versatile. I've had him on many sessions, and he's always delivered. Mason recently got himself an amazing sounding Ludwig Black Beauty, and I was very happy he brought it to the session.
On the bass, we had Ben Mars, who was born to play bass. His fingers are literally 1 1/2" longer than mine. In addition to having mad chops, he also happens to have THE BASS RIG. This morning, he brought in a 1963 Ampeg B-15 and a vintage p-bass also from the 60s. I did a mental jawdrop in my head when I saw it. It's basically the combo that all the Motown bass players use, and boy it did it sound good.
Anyways, I'm very proud of the work the guys did today. I'll be tracking Elise and Christer for the rest of the week. Stay tuned for more blog posts about the studio.
Saturday, January 30, 2010
It has begun!
We've started recording, and I've found the holy trinity of acoustic guitar micing.
Feeling pretty good.
Wednesday, January 27, 2010
Nils - The Troll
Monday, January 25, 2010
1st Rehearsal
Also, Elise's on front page Norwegian paper today! Woo!
This album's gonna be great. The songs are so fun and upbeat. Perfect for the summer.
Sunday, January 24, 2010
Egg-cellent
1. New York City
2. My Muse
3. Getaway
4. Diamond Ring
5. Baby Blue*
6. Home
7. The Place Where All Lost Things Go**
8. Up & Down***
9. If I Could Love You
* - Already recorded. We're just gonna add more stuff to it.
** - Still deciding
***- Acoustic based song, the inclusion of this song is TBD
Saturday, January 23, 2010
Elise is in da House/New York!

Elise, along with her guitarist, Christer Dalboe, came in on Thursday night, and we've been songwriting pretty much nonstop except for meal times. We were very productive yesterday. We now have one new song squared away, and another's one coming along. In addition, we fixed the arrangement to three previously written songs. On our down time, I've been vocal training the duo, and we had a surprisingly fun time playing musical memory exercises. 2 more days to go until it's time to rehearse with the band. We're gonna spend some time in Manhattan today, and then we're going back to Brooklyn to work on more songs.
I will keep you guys updated through this blog until Elise and Christer heads back to Norway.
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